1. Let a Hundred Flowers Bloom: detail, angle, 2. Mum-burst Medallion, 3. 6March 26 2011 085 (Medium), 4. koi 4, 5. Sugary Sweet Baby Quilt, 6. Piecing History Together, 7. Close up Kitty Window 2, 8. Miss California Poppy close up, 9. Funky Froggy Flowers - close up, 10. Spring is Here, 11. 024, 12. projectquilting, 13. Project QUILTING - Large Scale Print - Spring Converges, 14. crane improv quilt blocks, 15. Ready to Break Through - Finger Paint Depiction of My Project Quilting Week 6 Concept Created with fd's Flickr Toys

I am loving the pieces created for the final challenge of the season! Great job to everyone and thanks to all for your support and creativeness during the last 11 weeks! I hope everyone is happy with what they’ve created – I know that I’ve added six fabulous new pieces to my portfolia. Thanks again for everything!

With that said…we still have one more week for voting! Prizes to be one for the participants and the public!

Can’t remember last week’s challenge? http://kimscraftyapple.blogspot.com/2011/03/project-quilting-challenge-6-large.html

This week’s PRIZES!

The Public Choice winner will receive $10 to Fabrics N Quilts and $10 to SpiceBerryCottage.

The Judges Choice winner will win $15 to FabricFascination and a pdf of 2 maze quilt patterns from Lisa Penny.

FOUR randomly drawn participants will take home either $20 for Machine Quilting Services from QuiltsbyBarb, $10 to DyeCandy, Downloadable Quilter's Cookbook - Volume 2 from the QuiltingGallery, OR a Pattern & Notecards from Marcia's Crafty Sewing & Quilting

Voting closes at 7pm CST on Friday, April 1st.

This weeks’ JUDGES!

Diane Lapacek

Barb Raisbeck

Lisa Penny

Guest Judge: Ebony of LoveBugStudios (aka Season 1 Grand Prize Winner)

OTHER BONUSES:

Don't forget! Everyone that entered a piece for this challenge can decide if they want their name entered in a drawing for $50 off the 2011 Quilts by Barb Quilt Retreat Getaway Weekend.

I will also be sending everyone their rank (somewhere between 1 and 10 – be sure you’ve emailed me (lapaceksorchard {at} gmail {dot} com) your email address) and any critique’s the judges have about your creation. The top 3 scoring projects will be posted on my blog next weekend.

PUBLIC WINNERS: YES, you can win a prize too! You’ll find out how to WIN at the bottom of this post after you’ve checked out each of the quilt entries.

And now here are all the entries – in no particular order…

***Please note – I have left the images smaller to help the blog load a bit faster. I strongly URGE you to take closer looks at the projects before voting by checking out their submittals on the flickr group:http://www.flickr.com/groups/1401824@N21/

THE ENTRIES:

Quilter: For Quilts Sake

“Let a Hundred Flowers Bloom”

Made by Pam Geisel of For Quilts Sake in Yellow Springs, Ohio, Mar. 2011 for Project Quilting Season 2, Challenge 6, Large Scale Print.

24” x 28.5”

My creative process and how I made it:

I don’t usually use a lot of large scale prints, but I did have half a yard of one with large overlapping yellow, orange, pink and burgundy flowers that I’d bought several years ago for a purpose that I don’t remember now. It’s just been sitting in my stash taunting me.

When this challenge was posted I knew I wanted to finally use that fabric and a layout came to me rather quickly, it was just the stripe that had me concerned. I’ve used striped fabric before (I like to use them for bindings) but when I’ve gone to buy them I usually haven’t liked the selection of striped fabric. Because of that concern I actually came up with a second layout using a different large scale print that went with a striped fabric I already had in my possession.

Off to the fabric store (the only one of the six challenges that I’ve had to buy fabric for). I wanted a stripe fabric with at least one of the colors in the large scale print but not something too formal or straight. The very first striped fabric I found was perfect, and how often does that happen? I did check out all the other options but went back to the first one, a yellow fabric with an orange stripe that looked like it was made with a crayon, so not too formal or straight! And it was a remnant, so I got it for half price.

I also purchased the burgundy background fabric because I wanted something that was mostly solid so it wouldn’t compete with the large scale print or the stripe but it had just enough color variation to provide some visual texture.

I pieced the background fabric to the stripes so the stripes are horizontal on the left and right inner borders and vertical on the top and bottom. Then to be a little different, I cut out one stripe and ran it the other direction going length-wise on the left side of the background (more obvious on the detail photos).

Then I pieced the corner blocks and added the large scale print fabric as borders. (Regarding the first part of this challenge: including the seams I used about one quarter of a yard of my large scale print fabric.)

Before I added the other elements, I quilted the burgundy background at this time with slightly-curved horizontal lines in both a dark burgundy and a pink thread to give it more visual depth (the dark burgundy thread is a little hard to see in the photos). I quilted stitch-in-the-ditch on both sides of the yellow stripe border then did the same slightly-curved horizontal lines in the borders, going all the way across the top and bottom borders and doing shorter waves on the side borders.

I wanted a visual element to go on the burgundy background that had the same energy that the large scale print had but at a smaller scale so I made the three “fabric mosaics.” I fused many small pieces of orange, pink and burgundy fabrics on a square orange background allowing the mosaic pieces to form unusual angles at where they stopped.

I covered them with netting (which provides the sparkle that shows in the photo) and quilted them together with a purple-y thread and also an orange thread. I folded the raw edges under then machine appliquéd the mosaics to the background, aligning the top and bottom blocks so they were centered on the yellow stripe.

To hold the yarn and ribbons in the center of the fabric mosaic blocks I considered at least 10 sets of items including shells, plastic rings and round paper clips but decided to use three square buttons from a blouse I bought about 18 years ago (I probably bought the blouse because I liked the buttons) and when it was time for it to become a rag I saved the buttons…and my husband even recognized that they were from a blouse that I used to have).

I twisted different yarns (including fun fur) horizontally across the quilt and added beads every few inches to hold them in place.

Because there are so many overlapping flower images, I titled this “Let a Hundred Flowers Bloom.”

Quilter: Quilties

Mum-burst Medallion

This is my entry to Project Quilting 2:6. I recreated the designs from my inspiration fabric in 3-dimensions to make this circular wall quilt. I loved the white mums and elegant leaf sprays in the large scale print!! The mum stands out three dimensionally, but is also dramatically accented with the orange starbust below it, setting it off from the light background fabric. The designs in that background fabric were pretty subtle in color contrast, so I quilted around them in outlines to really make them more visible. The stripe called for in the challenge was also a very subtle contrasting fabric, but cut on the bias added just another little spin around the circle, similar to the spin of the orange star points. The piece was looking very circular and symmetrical, which I really love, but to break that up a little and add some interest, I added the branch of blue leaves.

The room photo shows how happy this piece looks in my studio in Urbandale, IA. It's 17" in diameter and very me!!
- Emma Thomas-McGinnis

Quilter: Marcia’s Crafty Sewing and Quilting

Spinning Spiral Flower Bag and Reflection Bag

Marcia Wachuta Boscobel, Wisconsin of Marcia’s Crafty Sewing and Quilting

I made one large bag and one small bag. I did the mosaic so you can see both sides of the bag. Left side - one side of the bag with the three flowers and the quilted reflection bag. Top Right - the large spinning flower and the quilted refection bag. Middle Right - close up of the large spinning spiral flower. Bottom Right - view of the bottom of the bag, so you can see the connection of the stem from one side of the bag to the other side of the bag.

For challenge six, I used two large scale print fabrics (more than 1/8th of a yard of each one) and some stripes and plaids. I cut them all up into skinny strips and made the four spinning spiral flowers - a large flower on one side and three smaller flowers on the other side.

So I took a large scale print fabric and cut it up and then turned it back into a large scale print fabric by raw edge appliquéing the flowers on the yellow fabric. Then I quilted it with swirls and wiggle lines and constructed a HUGE Bag from the quilted fabric. I also quilted some extra yellow fabric and made a "quilted reflection" of the large bag. There are no raw edges on the inside of the bag. I bound the seams with the yellow binding too.

Quilter: Moran Art and Quilts

“Koi Transformation”

Measurements: 25”x32”

This quilt gave me some real challenges this week. I found this koi fabric and knew it would be hard to work with considering the pink and turquoise. I cut it in two pieces, added a turquoise border and started to make another border using squares cut in two with strips down the middle of them. I got half way done with the border as the one picture shows and didn’t like it at all. It was just plain boring.

After sleeping on it (not the quilt) I almost scrapped it but decided to just cut it into four pieces and move them around to divide up the colors a little better. I sewed them back together and added borders between and around the whole piece. It still needed more so I drew the koi fish, bonded it on and used raw edge appliqué, marker and paint to finish it off. I really liked the look of the added koi fish and if I had more time I would have added another one in the upper right corner, too. I also would have quilted it a bit more with some free motion quilting on the fish for scales and texture.

I’m happy with how it turned out considering how frustrated I was with it on Thursday! I don’t think I could ever totally scrap a quilt and always find them salvageable in some way.

Catherine
Columbus, OH

Quilter: Springwater Designs

Sugary Sweet Baby Quilt

For my Big Print entry, I made a fun and funky baby quilt featuring a cool big print running slightly off centered across the quilt. The striped print is used on either side of the large scale print. The pink outer border fabric and bright yellow binding are also bigger prints.

To feature large scale prints in different ways I also used one cut up as the blue center of the tilted nine patch blocks, and I used the border fabric cut thin for sashings next to the striped print. The tilted nine patch blocks are something new that I tried and I like the feel of movement that they give to the quilt.

Since it's a quilt that will be washed, It's stabilized quilted in the ditch along all the borders and blocks, and all over quilted with a fun loop - loop in the big print and borders.

Quilt measures 30" x 42" and was made in Jessup MD

Dawn Stewart

Quilter: AllThingsBelle

Piecing History Together

I'm Jennifer Rodriguez, art quilting in West Jordan, UT.
My mini art quilt is a 18" square.

My final piece for Project Quilting was inspired by the devastation in Japan. Sadly in addition to the immediate loss of loved ones and homes, there is also the loss of historical artifacts and destruction to sacred land. My quilt is about Japan piecing their lives and history back together.

My required large print is a traditional Japanese scene of young women with umbrellas. I cut the print up and removed a few pieces. They were fused on to a striped fabric - the striped fabric included shades orange brown for land and blue for water. I also add irregular shaped pieces of additional orange brown and blue fabric to symbolize the earthquake and tsunami.

The piece was then quilted in numerous horizontal lines. These quilted lines helped create a cohesive look, bringing the pieces of the original print back together. When you stand back from the quilt, it is not immediately obvious that the fabric was cut. It is only when you get closer that you notice the cracks and separations.

It was bound in the same deep blue to symbolize the water surrounding Japan.

Quilter: Virginia Palmisano

Kitty Window

Here is my entry for this weeks challenge. I am calling it Kitty Window. The large print fabric is a piece full of kitties rolling around in a field of yarn. I got this remnant piece from a fabric store a few years ago. I liked the piece and didn't know when I would use it but had to have it. It reminded me of my sister in law who love cats and I wanted to make something for her with it. The piece measured about 18 inches by 16 inches. I cut it in 4 pieces and put it together with a brown fabric so it would look like a window looking into a room full of cats playing with yarn

Quilter: Dashasel

Miss California Poppy close up

The inspiration for my quilt's name comes from the following poem:

Miss California Poppy, gay
Is happy all the live-long day,
And though some poppies grow much taller,
She's brighter, she's brighter even though she's smaller.

(unknown 1930s children's book)

As soon as I saw this week's challenge, I knew I wanted to use some fabric with large poppies. I have also used this fabric for curtains and though bright and bold, I love it because it reminds me of California (poppies are California's state flower), which is where I grew up. With this California theme in mind, for the quilt top, I first cut my poppies so that I could layer them and make them appear abundant (this also ate up more than 1/8 yard, surprisingly!). It also gave me a chance to practice applique again. I also wanted the poppies to take on a framed look (or perhaps I was just itching to try another new technique), so I reverse appliqued my California template. Although I probably had enough poppies at this point, I love them so much that I appliqued a few more and did some light embroidery as well. Finally, since California is known as the Golden State and I typically think of it as being sunny (which it isn't, but I have a rosy view now that I am in the Midwest), I appliqued a sun to the quilt top as well. Since part of the challenge was to also use stripes or plaid, I used a herringbone background and emphasized the stripes by quilting down the horizontal lines.

I normally use plain quilt backs, but having researched California's state symbols, I decided to spice it up a bit. First, I discovered that California has a tartan! Ooh, how I really wanted to use this on the front, but the plaid was a bit too clashing for me. So I printed it onto fabric and decided to use it on the back. Next, California's colors are blue and gold. These colors are also in the tartan so I decided I would create a row using the tartan and blue and gold. Finally, California's state bird is the quail. How could I resist?! I found a quail image online and used that to create a quail applique.

For the quilting, I quilted around the appliqued poppies, California, and the sun. I was careful to avoid quilting on top of the quail because I like it better without the lines going through it. I also quilted following the horizontal lines of the herringbone to play up the stripes part of this challenge. Finally, because I liked the quail, I wanted the quilt to be able to hang from either direction. I like attaching the quilts to the wall directly, so I placed little triangle sleeves on both the front and the back of the quilt. I put them at the top and the bottom so that perhaps they would look a little like the corner tabs used to hold pictures in photo albums. Looking at the quilt now reminds me of a gigantic California postcard!

This quilt was made in Milwaukee, WI and is 18.5" X 22".

Quilter: Kathleen Quilts

Funky Froggy Flowers

My large scale print had lots of color and some frogs. It's a cute print but I didn't want it to be all about frogs. I wanted to really play with textures and that helped disguise the frogs a bit. One flower had petals that are very bumpy - created with texture magic. Another flower was quitled with batting before being appliqued. The circular flowers are similiar to yo-yos but I used heavy stabilizer in a circle that was a bit to big - this gave a gentle buckling wave to the circles. Buttons are in the center of the circle flowers. The stems for the large flowers are made from a braid of floss of several different shades of green.
The vase is a striped fabric that I pleated and stitched the other edges, then stitched the center the opposite direction to give it more interest and texture.
The quilting is diagonal wavy lines.
I originally intended to do the binding on the bias but with the diagonal quilting I preferred the straight stripes.
31" x 24"
Created in Cissna Park, IL

Quilter: Sally’s Angelworks

Spring is HERE!!!

Ohhh I went totally traditional and true to my simple aesthetic with simple squares and with the focus on the spring quote from Shelley:
"And Spring arose on the garden fair;
Like the Spirit of Love felt everywhere;"
Had to add a bird and buttons to add to the vintagey feel of these Moda fabrics (3 sisters Faded Memories).

The flower petals were glued on with fabric glue in the shape of a bluebonnet (since I'm in TX and we're in that season now! yipeee!!) I free-motion quilted all around on the top and bottom and FMQ the grass/leaves/stem on the bottom of the flower. I know that I tend to not do things perfectly, but the wonderful thing that I've learned through this process is to keep creating with your heart! This always produces something that I love! Which is the point, right?

made in TX...22.5"x26"

Quilter: Gock’s Frocks

Grandma's Garden - modern table runner

Kristen Hallagan - Rochester NY

For the final challenge I used one of my favorite large prints - geranium from Martha Negley.

I also was inspired by the modern quilting movement and decided to use Kona white to highlight the print.

I started with a 12" block thinking I would use a series of 12" blocks to make the table runner. However, after completing the 2nd block I did not like it next to the 1st - scale was off...so I chopped it in 1/2 and decided to add random sized parts rather than 12" blocks...as I progressed if I thought a section needed more color, I would cut it apart and add another block of print. I added a patchwork wonky strip of greens and had one in shades of orange but cut that out as I decided to stay with the blues/greens.

this challenge also require us to use a stripe or plaid so I used a stripe cut on the bias for the binding and decided to use linear quilting stitched to create the impression of a stripes.

the final size ended up being about 12" x 55"

I added some print to the back and appliquéd one of the geranium blossoms on the back so that if you wanted, the table runner can be used on either side.

it was a lot of fun watching it grow .... rather than following a set pattern - kind of like a garden grows!

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These are not eligible for Public Voting Prize

Quilter: KimsCraftyApple

Spring Converges

I used some fun fabrics to create a converged wall hanging for this challenge. I chose to converge 'White Humming Birds' from Michael Miller, Laura Gunn's Big Poppy Spice fabric and a striped fabric.

If you've been watching my pieces through the seasons I've done convergence before - so I knew when I decided that this is what I wanted to do for this challenge I knew it would have to be above and beyond the past. I went with combining a few of Ricky Tim's techniques from his book Ricky Times Convergence Quilts: Mysterious, Magical, Easy and Fun- with Divide and Conquer Convergence with a touch of Grand Convergence. I think the convergence technique really appeals to me because you have to really trust your gut that your fabric choices are going to work. There’s not much ‘laying’ out prior to cutting to be able to ‘see’ what’s going to happen – it’s all about the gut. Once the convergence portion was done - I added the borders and appliquéd some flowers and birds to the quilt. As I stepped back and looked at I decided it wasn't enough yet...

So, made some yo-yo's and had them cascade across the quilt. To add the final touch - I found some tiny circular mirrors in my stash and glued them to the center of the yoyo flowers.

I really like all the movement this quilt creates.

Approximate Size: 34" x 21"

Created by Kim Lapacek
Poynette, WI

***Sometimes ‘life’ happens during the weeks of the Project QUILTING challenge. I love that some are still using these challenges as inspiration for future projects. Here are a couple of WIP quilts inspired by this weeks challenge:

Quilter:

Aunt Cindy’s Attic

Ready to Break Through - Finger Paint Depiction of My Project Quilting Week 6 Concept

This is as far as my entry got this week. I found some giant floral fabric on a brown background. Alone it was kind of ugly and looked a bit like fabric my mom had in her bedroom in the late 70s. I thought it looked a bit like the flowers were buried. Then I thought, "Sure they are, they just haven't come up yet!". I planned to piece a background of various browns and applique the flowers on top of those.

There is a bit of brown on the top of the piece. My 3 year old son (who has been sick this week) decided to help with my picture as well as paint his own.

It took far less time to create this *fine* piece of artwork than to make the actual quilted piece, though I still have the urge to make it.

Quilter: Kathleen P

crane improv quilt blocks

I'm sharing my WIP here, just because it's inspired by the challenge. I knew I wouldn't be able to finish this one since the person who makes my sewing possible was out of town taking care of his mother this week (cancer: keeping daughters-in-law from quilting since 1884!).

But I didn't want to do nothing, so I took the opportunity to slice into a Robert Kaufman crane print I've had sitting around. I fussy cut 7 crane images and then went at them improv-style. I started out thinking it was going to be something like a wonky log cabin, but the cranes seemed to want a straight setting and I happily diverged from log cabin.

I don't think I've ever improvised an entire project before! Which is crazy since I improvise pants and stuffed animals and muffins all the time. I'm having a lot of fun with these, not sure where I'll go next, but I thought I'd share since I wouldn't have cut into that piece of fabric at all if it weren't for Project Quilting. Thanks Kim and everyone!

Now for the PUBLIC Comment PRIZE!

Everyone is eligible to win this adorable Blue Striped Embroidered Teddy Bear from Quilties for this weeks Public Comment Prize!

ELEVEN Chances to WIN!

Entry 1: REQUIRED! Leave a comment on your favorite entry at the bottom of this blog post (you can also comment on twitter/flickr/facebook but that won’t get you an entry) (or at least that you voted) and vote for your favorite on the poll on the upper left hand side of the blog. -***MUST DO***

Optional/Additional Entries – please note – if you want to qualify for these additional entries you must leave a SEPERATE comment for each with your email address– if you already follow or are a fan, etc just leave comments saying each. If you write everything in ONE comment you only will have ONE entry…

Entry 2: Follow my blog.

Entry 3: Follow me on twitter: www.twitter.com/kimscraftyapple

Entry 4: Tweet about this fantastic contest with hashtag #PQLarge (important or I won’t know you did it)

Entry 5: Like Project QUILTING on facebook

Entry 6: add my Project Quilting ‘Grab my Blinkie’ to your blog or blog about my giveaway (link your blog or post in your comment, please)

Entry 7: Head on over to Quilties on etsy and let me know your favorite item in the store!

Entry 8: Sign up for my newsletter in the upper right corner of this page!

Entry 9: Blog about Project QUILTING and leave a link here to what you wrote.

Entry 10: Like Quilties of Facebook.

Entry 11: Subscribe to Quilties blog.

***Participants, Judges, and Sponsors in project quilting ARE allowed to enter in the public poll/contest as well.***

This means you have ELEVEN chances to win! I need you to write each of these entries as different comments in order to qualify you for all eleven entries and include your email address. If you don’t include your email address I won’t be able to contact you when you win and I will have to choose a new winner. I will be picking the winner on Saturday, April 2nd.

***Changes to Prizes/Voting this season***

1. One person can no longer win both prizes. If this does happen (as it has), they will take home the ‘JUDGES Choice’ prize and the person in 2nd in the PUBLIC vote will take home the ‘PUBLIC’ prize. As before, each of these winners will not qualify for the random prizes. I’m doing this just to spread around all the amazing goodies so many great sponsors donated!
2. The second is, I will not be listing myself (KimsCraftyApple) on the Public Vote. Since this is my ‘creation’ I will never win any of the prizes – I don’t want to seem like this is biased towards me at all. I’m doing this merely for the fun, the challenge, and the camaraderie. I will still, however, be showing off my entry AND sending it to the judges for their score and critique.